cheefukeefu

thanks for not putting gelatin in them #accidentallyvegan

red 40 red 40 red 40

haha funny triangle spinny dorito motor. what a fucking marvel of automotive history. mazda had balls being the only manufacturer to mass produce a rotary. it's not like today where every brand feels like they need to do EVs and plug-in hybrids, etc. the closest thing we have to this is Toyota taking a massive leap of faith on the Mirai with its hydrogen fuel cell tech. but this on the other hand has a different aura, a lot of which definitely stems from being a dedicated sports car (grand tourer?).

yeah yeah paul wanker fast and furious. i saw the r34 gt-r in the first project gotham racing game and it immediately became my personality. like the nsx, it embarrassed the supercars of its time while being a usable daily drivable, except this is literally just a performance trim of a luxury sedan

economy car brand embarrasses high-end manufacturers by creating a car that not only outperforms supercars but also functions as a usable daily driver. beast mode, they could never do this again

straight rally car

gay rally car

gay ass cars

troll physics

ben n jerrys non-dairy the tonight dough flavor so good that I'm giving the show a higher rating than i should off of that alone

Facebook 2. it tries to pass itself off as a Twitter alternative but you can't even post ass. mildly entertaining posts sometimes

copy paste Twitter except for the vibe it had potential

I like cheating on my wife #yea

great voice and songwriting. washed as hell. shut up about being "far middle"

I play it, it's fun to learn songs and also write stuff with funny sounds

when you finish your classwork early so you get to go on the one computer in the classroom and feel everyone seethe with jealousy as soon you open this page

unregistered

hey guys welcome back to the channel today I'm gonna teach how you to get free club penguin membership

the best game ever made

my favorite emo song is my life is like a video game trying hard to beat the stage

when the band has scary screaming in it!!! examples: pierce the veil sleeping with sirens bring me the horizon (this one scares me a lot >.<)

family

sex gifs

this is how i find out they changed the name for Xbox Live to Xbox Network after they already changed the name for the Xbox Live Gold subscription to being the base form of Xbox Game Pass. anyway Halo, Gears of War, and Call of Duty multiplayer on Xbox Live basically raised me

pink frosted sprinkle donut

iconic place. lots to do to the point of being kind overwhelming. don't drive through here if you can help it.

wtf do you even do here? borders oc so it's republican as fuck

i miss you so much

House of Blues is here. cool i guess. idrc about Disneyland. rip Chain Reaction

i got me some new bathing apes

i personally rate this one at a 3-3.5

hehe band make funny ugly sounds do weird rhythms

it's only really at its best when there's at least some hint of homosexuality from the vocalist

half the lapd probably live here

this term has lost its meaning as "heavy rock" became more commercialized and metalcore started describing buttrock with more screaming than you'd find in 2000s divorced dad metal bands. in spite of that, there's some good stuff to be found

lifechanging stuff right here

yeah that's the stuff

geoff rickly daryl palumbo ben koller that's frickin awesome

hey mister dee jay

accidentally vegan. awesome.

it's twitter. it will always be twitter. idgaf what the app calls itself in the app store or on my phone. suck my cock elon

i miss it. i learned html at the age of 9 for this. i put helicopter by bloc party on my page bc it was my favorite song in guitar hero iii. time passes by you

drivers here are out to get you i swear. they get some points because system of a down came from here

the lake is beautiful. downtown is awesome to walk through. i don't even think i saw a single chain anything there except for a walgreens.

818 you know what it is

never knew him but I'm related to him and that's awesome

i wasn't alive for this but a lunar eclipse is always cool

If you ever wished Rise Against had more songs in the vein of "Blood-Red, White, and Blue" or "State of the Union", this album is for you. Except it's heavier. Much nastier. The production is so raw. It almost feels like it's the entire band being recorded at once from the use of only two guitars hard panned to the way backing vocals in the album are performed. Weird song structures. Panic chords. LOTS of breakdowns. Singing that might make you question if some parts are even in key. But it doesn't matter. It all keeps you on your toes itching for more. The Killing Tree lyrically portrays more personal themes as opposed the obviously overall politically charged messages through the Rise Against discography. Yet, it feels as if this band had so much more to say, so much more edge, and so much more willpower to take risks. The music is more challenging than Rise Against with less melodic emphasis, and significantly more chaos musically. More technical guitar work than your usual Rise Against track with riffs pulled straight out of the metal handbook. The members of the band also had to literally use aliases due to contractual obligations just so they could get away with even getting this album out to begin with. There wasn't even an official contract signed with any label for this album, leaving ownership rights to the masters up in the air where people have taken it upon themselves to just distribute the album entirely consequence-free. I wish I could have been present at a show when this band was active. However, given the way Rise Against and Tim McIlrath have neutered their approach not just to music, but how outspoken they are on political issues, maybe it's best The Killing Tree stay as a capsule for a time where Tim McIlrath wasn't afraid of risks. When he was willing to challenge his guitar playing. When he was willing to challenge his vocal intensity. When he was willing to potentially violate a contract just to create music he loved. When he wasn't afraid to explicitly say "Fuck George Bush and his fucking war" on stage.

besides baking, don't use this as a milk. ok i lied it's kinda fun to use in some cereals. but when drinking it by itself, it's best to think of it as its own thing

my favorite plant milk idc. i think it's the one that serves every "milk" purpose well. i wish soy actually had the estrogen that gave you boobs that would be so cool.

yep it's a top tier plant milk. it's thick it's creamy and damn right it's the best one for coffee. plus it's pretty easy to diy (I've only ever done it once lol). inconsistent across brands though, can be pricey, and i don't like using it for oatmeals or cereal tbh

it gets the job done and it's usually the least expensive plant milk making it my work horse. unsweetened, it's kinda just flavored water which i actually like. i don't like it as much when it's sweetened though.

One of the first games I remember ever playing. A formative game series for me, but this one started it all. Less is really more. I have many fond memories playing around with the massive sandboxes of the later titles (specifically Halo 3 and Halo Reach), but revisiting this game really makes me appreciate how (mostly) well thought out the entire sandbox is from weapons, enemies, and how those weapons interact with each enemy type. I only say mostly well thought out because obviously being able to one shot Hunters on Legendary with the pistol due to their skin being considered a "headshot" point was obviously unintended for enemies that are presented as a mini-boss type deal. Still giving it the 5 stars for being an essenti start for me.

tony dalton as lalo salamanca. yep.

bloodmeat. the dissentience. bone marrow. sequioa throne. palms read. limb from limb. spoils. wretch. goddess bound. goddess gagged. yep. this album rocks. somehow has shredding lead guitars every few measures and doesn't feel like they're overplaying. rody walker does some stuuuuuupid shit with his voice. bass guitar makes itself known when it needs to. immaculate rhythms and sense of harmony throughout the album.

made fun of my best friend for liking this band bc i thought he was pretentious for listening to a band that used accent marks in their name. now this stands as one of my favorite albums of all time.

"Pop punk band" does Metallica better than Metallica was doing Metallica in 2004.

daryl palumbo says whore a lot

"The guitarist of Killswitch Engage is has a project with the original (and now current) vocalist of Killswitch Engage? So it's just Killswitch Engage 2?" WRONG!!! This album delivers emotional weight and deeper soundscapes far beyond what any Killswitch Engage record to date has done. Yes, it has the signature industry standard distorted melodic metalcore guitar tone invented by Adam D himself since the early 2000s. Yes, there's riffs that easily could be Killswitch Engage riffs if they transpose them down a whole step. Yes, many of the lyrics and themes share striking similarities to Killswitch Engage material. However, this album showcases much more intent and versatility than any Killswitch Engage album to date. Utilization of major key signatures in some of the compositions throughout the album is one of the examples that keep this album unique compared to the Killswitch Engage discography. The guitar work overall is less "here's a bunch of cool riffs let's slap it together" and more "the chords and riffs dictate the emotions of the moments". Liberal use of clean or less-distorted guitars throughout the album allow for definition of each note on chords, especially when arpeggiated. For example, the intro to "Willing" features ringing out distorted guitar chords and simple drum hits while a clean guitar plucks in major key, channeling an uplifting spirit to match the lyrical content of the song. On the other hand the title track, "The Hymn of a Broken Man", starts with a similar premise but the arpeggiated clean guitar instead dims the mood with bleak chord voicings to emphasize frustration that the lyrics express. "The End of Eternity" also sees one of the sparing uses of 7-string guitars and utilizes it in the soundscape so masterfully. It starts with a slow tempo, solo clean guitar with a very tense feel where Jesse Leach then leads with notions of how our sense of love is slowly fading in favor of putting ourselves entirely above others. That is then contrasted by a beautiful chorus that inspires hope, not just because Adam D sings it so but because the soundscape paints it that way. Then the drums kick in and it's back to that clean intro riff that gets you tense again. Jesse picks up where he left off, this time, Adam joins the vocal duties in a very duet fashion. As the second verse nears its end, Jesse screams a line and distortion in the guitars kick in just before the second chorus to remind you that yes this is still a metal band. Before you can even fully ingest that, it's right back into the chorus reminding you with its same beauty and cleanliness to stay hopeful only with more intensity this time as the drums beat on, and the guitars carry a more distorted tone. Jesse echoes Adam's lines this time too down to the melody, continuing the duet nature of the song. But then the last line is instead accompanied with Jesse screaming and before you know it, the rest of the instruments catch on. The drums slam; the guitars get gross and sludge-y; the vocals sounds like they're actually going to crawl out of your speaker to tear you apart, and break you into submission. The entire ensemble instills fear into you after giving you a second taste of optimism in the piece. The breakdown ends choking out all the drums and distorted guitars while the song returns back to its base form: an isolated clean guitar riff that this time echoes itself like its lost somewhere and seeking help. Adam D's voice joins the guitar to tell you that despite the horrors experienced and how easy it is to refuse help, you are stronger than you let yourself believe. Jesse rejoins the duet in a very low register accompanied by Adam echoing his previous lines and the drums give the song its backbeat once again. As Jesse slowly works his way back up to his natural register, the stakes rise and the sense of hope gets shaky until he delivers another scream at you and the final chorus begins. It seems like it's the second chorus again until Jesse's response lines are instead belted in his higher register and the feeling is less optimistic and more of a desperate cling onto any sense of hope possible. It goes back into the breakdown and all hope is lost. The fear is back in full force. A clean guitar arpeggiating a dissonant chord strings more tension to the breakdown this time around. If Jesse's urgent yells weren't enough, Adam delivers gutturals underneath it removing any sense of security. The breakdown ends sustaining the distorted guitar while the clean guitar continues arpeggiating and Jesse whispers his previous lines, "I will be waiting". No resolution to the tension, the guitar continues arpeggiating and all you can do is sulk in it for the next half-minute until the next track, "Worlds Apart" swells in. Other highlights: "The Forgotten One" - stripped down acoustic duet "Fall From Grace" - closer that features Adam D at his most vulnerable; no Jesse vocals at all {I've now hit close to the character limit :c}