sable

dudes be like my ideology is MAGA communism my religion is Papal protestantism and my sexuality is queer heterosexuality

Fascist idealism for most but my life genuinely used to be better

Christ boiling in a pot of piss

We strung up Mussolini over this

If James Cameron was more prescient, no humans would have to go to Pandora because the colonialism would be done exclusively with Palantir AI drones. Then Grok would be uploaded to Eywa and the entire Pandora bionetwork would be controlled by Elon Musk's consciousness. Na'vi wouldn't say "I see you" anymore, they'd say "Thanks for the gold, kind stranger". And then the Blujahideen would have to commit blue October 7th on the Hitler deity.

Johnny Depp... GO TO HELL!

Literally my favourite Botswana constituency

Hell to the motherfuckimg yeah!

He was Jewish not Christian. makes you think.. Question everything.

His name is japanese

Absolute woke nonsense

A spectre is haunting Europe — the spectre of communism. All the powers of old Europe have entered into a holy alliance to exorcise this spectre: Pope and Tsar, Metternich and Guizot, French Radicals and German police-spies. Where is the party in opposition that has not been decried as communistic by its opponents in power? Where is the opposition that has not hurled back the branding reproach of communism, against the more advanced opposition parties, as well as against its reactionary adversaries? Two things result from this fact: I. Communism is already acknowledged by all European powers to be itself a power. II. It is high time that Communists should openly, in the face of the whole world, publish their views, their aims, their tendencies, and meet this nursery tale of the Spectre of Communism with a manifesto of the party itself. To this end, Communists of various nationalities have assembled in London and sketched the following manifesto, to be published in the English, French, German, Italian, Flemish and Danish languages. The history of all hitherto existing society(2) is the history of class struggles. Freeman and slave, patrician and plebeian, lord and serf, guild-master(3) and journeyman, in a word, oppressor and oppressed, stood in constant opposition to one another, carried on an uninterrupted, now hidden, now open fight, a fight that each time ended, either in a revolutionary reconstitution of society at large, or in the common ruin of the contending classes. In the earlier epochs of history, we find almost everywhere a complicated arrangement of society into various orders, a manifold gradation of social rank. In ancient Rome we have patricians, knights, plebeians, slaves; in the Middle Ages, feudal lords, vassals, guild-masters, journeymen, apprentices, serfs; in almost all of these classes, again, subordinate gradations. The modern bourgeois society that has sprouted from the ruins of feudal society has not done away with class antagonisms. It has but established new classes, new conditions of oppression, new forms of struggle in place of the old ones. Our epoch, the epoch of the bourgeoisie, possesses, however, this distinct feature: it has simplified class antagonisms. Society as a whole is more and more splitting up into two great hostile camps, into two great classes directly facing each other — Bourgeoisie and Proletariat. From the serfs of the Middle Ages sprang the chartered burghers of the earliest towns. From these burgesses the first elements of the bourgeoisie were developed. The discovery of America, the rounding of the Cape, opened up fresh ground for the rising bourgeoisie. The East-Indian and Chinese markets, the colonisation of America, trade with the colonies, the increase in the means of exchange and in commodities generally, gave to commerce, to navigation, to industry, an impulse never before known, and thereby, to the revolutionary element in the tottering feudal society, a rapid development. The feudal system of industry, in which industrial production was monopolised by closed guilds, now no longer sufficed for the growing wants of the new markets. The manufacturing system took its place. The guild-masters were pushed on one side by the manufacturing middle class; division of labour between the different corporate guilds vanished in the face of division of labour in each single workshop. Meantime the markets kept ever growing, the demand ever rising. Even manufacturer no longer sufficed. Thereupon, steam and machinery revolutionised industrial production. The place of manufacture was taken by the giant, Modern Industry; the place of the industrial middle class by industrial millionaires, the leaders of the whole industrial armies, the modern bourgeois. Modern industry has established the world market, for which the discovery of America paved the way. This market has given an immense development to commerce, to navigation, to communication by land. This development has, in its turn, reacted on the extension of industry; and in proportion as industry, commerce, navigation, railways extended, in the same proportion the bourgeoisie developed, increased its capital, and pushed into the background every class handed down from the Middle Ages. We see, therefore, how the modern bourgeoisie is itself the product of a long course of development, of a series of revolutions in the modes of production and of exchange. Each step in the development of the bourgeoisie was accompanied by a corresponding political advance of that class. An oppressed class under the sway of the feudal nobility, an armed and self-governing association in the medieval commune(4): here independent urban republic (as in Italy and Germany); there taxable “third estate” of the monarchy (as in France); afterwards, in the period of manufacturing proper, serving either the semi-feudal or the absolute monarchy as a counterpoise against the nobility, and, in fact, cornerstone of the great monarc

Refreshing counterprogramming to the current film landscape, a moral fable Western with touches of Miyazaki that doesn't waste much time going through the motions of similar films. I like a movie that hurries up to slow down; maybe it was this way on the page but it feels like Scott cut out as much plot as he could until it barely registers as a genre movie. The few bits of action that do pop up are absolute barn-burners though, Scott's sense for space and kineticism remain the strong suit across his career. Hard to know whether the ideas of trust and loss are personal for Scott or if he's just doing another job, but that's the mark of an excellent craftsman I suppose.

American singer, songwriter, and actor (born 1981... What else is there to say?

Beautiful smile, sexy Italian charm

No friends... No aura... No intelligence... He should kill himself NOW!

🙏🙏

I'm into it... within reason!! haha

Looool

Nope!

The random AAVE?

I was a Hitler Youth. :(

the name of my upcoming memoir

Special and beautiful <3

should be on Letterboxd

nawwww!!

He had sex with his sister

He fucked Destiny

you guys seeing this?

There's no way this is legal

yuuup

It works

Literally best small domesticated carnivorous mammal ever made

We're gay past making penis

Epic sauce

He was a fucking Nazi