Linda Linda Linda

nobuhiro yamashita thinks the refrain, but he also thinks eternity. even better: yamashita thinks the event—being-becomings worthy of a song, being-becomings worthy of cover. being-becomings worthy of a name. not individual(s), but individuation(s): winds and laughters, in-or-out of movings-beyond, becomings-musical. taking powers out of tragedy, bleeding's power out of rain (but, in retaining a concept(s): notes, for a comic spirit!).  as such, filming is girls' expressions, expressives, traversing (roaming, nomadic phrases) between linguistic forms and musical shapes (bae doona's son, as a cut-out of both!), clipping-out blocs of sound, unfolding-photocopies, through hundreds of up-late nights: tracings, retracing's a wound!  therein, youth as stupid-passion, idiot-love. but this, too, is creation. unrestrained, disempowered—but irresistibly memorable, unforgivably cool! plugged-in: we're girls-on-guitar (and.xxplosive/s!!). son, kei and kyoko and nozomi on-a-bus, feeling forever(s): new, unsteady language(s), humming(s) thread into melody's (oil-spill-dialects, slipped-expressions), memorizings, but-dynamic(s), thrown-arounds, tossed-abouts. little-circles: non-diegetic, stream-sounds re(intro/pro)ducing themselves, needle-pins aligning just-enoughs for hearts to strain-for (really, strains), recognizing some ampliatory purchases: public-private incidents! or, music for airports, and bus terminals: private-publics' transitive-causalities! social-transitioning's acoustic flows: son (<i>son</i>), to pick-a-name, will-to-believe, and unfold! creations, as many modes and affections! sol (<i>soleil</i>), take-a-pick! strum-alongs! its a-world-of-pure-experiences: syncopations, and rebounds! or, more-or-less quiet flashes! libidinal-series, past-seriousness(es)! films, and a song: there is always more to create! so, live! live up to the wound! you're growing up!! (and:a-names/--(really!)--flying----off------!!)